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The violent, sadistic, colder, misogynistic Bond of the books didn’t work on the big screen. “But he was a marvellous writer and they’d had real trouble with Fleming’s novels.

“Except when it came to women, of course.” She smiles. “I always say that Daddy was an honourable man,” says Whittingham, now 64, in a voice that seems to come courtesy of Diana Rigg. And he injected Fleming’s uptight gentleman spy with quippy humour, arch sexuality and plenty of action. In a tobacco-stained study at his Surrey home, the dashing, hard-drinking ladies’ man produced a thrilling tale called Thunderball. But man-about-town Jack turned out to be the fire to Fleming’s ice. What passed for steely cool in the books would come off as charmless froideur on screen.

#Magic flowers play by bill sterritt event brite how to#

The problem of how to film Bond had rumbled on for years. (Fleming had had an earlier bash at writing his own, but forgot to put any action in it.) In 1959, Whittingham’s father had been brought in by the film producer Kevin McClory to work on an original screenplay based on Fleming’s famous secret agent. It was Jack, she claims, who gave us Bond as we know him. Her father was Jack Whittingham, a celebrated screenwriter of the 1950s and 1960s. Moneypenny, she holds the secrets of James Bond. But earlier this week the London Times carried a longish report focusing on his daughter, Sylvan Whittingham Mason, who apparently provided much of the background mosaic for Seller’s book. Very little has been written about the relatively enigmatic Whittingham. That case’s resolution included a provision stipulating that all future editions of the novel Thunderball include the writing credit “based on a screen treatment by Kevin McClory, Jack Whittingham, and Ian Fleming.” This is a topic that should be familiar those of you who pay attention to the Rap Sheet, since we recalled the case in an obituary of Kevin McClory, the Thunderball collaborator who died in 2006. This revision features a foreword Len Deighton, who concentrates in his essay on long-ago charges of plagiarism leveled against author Fleming. If you haven’t done so yet, though, I am pleased to report that Sellers and the independent publisher Tomahawk Press have finally released the second edition, sans the sections that caused the Fleming estate to complain.

There a few copies of this collector’s item knocking around, but you’ll need a big checkbook to secure one. The first edition, which contained a foreword by Raymond Benson (who was the last Bond writer prior to Faulks), was withdrawn from sale shortly after its 2007 release due to legal action from the Fleming family and estate. That book is of course the revised second edition of Robert Sellers’ The Battle for Bond, a controversial work detailing the legal wrangling over the rights to Thunderball (1961). There is, however, another book, also featuring iconic British secret agent James Bond, that’s had an evolution almost as complex as one of Ian Fleming’s plots. With Sebastian Faulks’ Devil May Care sitting pretty atop British bestseller lists, espionage fiction seems to be all the rage. Issue 45: For Your Eyes Only - MI6 Confidential Comic Book Checklist & Price Guide 2007: 1961 to Present, Maggie Thompson.The Bond Files, Andy Lane and Paul Simpson.If someone has them, these references could shed more light on the subject. The month of June comes up I realize, which I may default to with 1 June 1981 introduced as 'this month Marvel publishes.'Īlso there is the two-part edition, For Your Eyes Only #1 (7 October 1981) and #2 (1 November 1981), which I understand doesn't match your memory.Īnd third product described as a Marvel Illustrated Books paperback novel-sized edition, (ISBN 0-960).

#Magic flowers play by bill sterritt event brite series#

references 1 July 1981 for the single issue, Marvel Super Special series No. Thanks for that call-out, thinking the dates I've seen are US.